Thursday, 29 February 2024

Public Lending Right

In the United Kingdom, authors are paid a small amount whenever their books are checked out of the library, so long as you register your books in advance. The actual rate per loan is set every year. This year it was £0.1369, but that amount is shared between all authors and illustrators that are listed on the cover. For major authors, this probably represents a nice little income stream. For someone at my level, it’s pocket change. I just got my statement for the past year and thought I would share the highlights!

The Story of Santa Claus: £1.37
Peter Dennis with the Cover Art!

My biggest earner every year!

Dragonslayers: £0.41

Probably still my proudest, published work.


Zombies: A Hunter’s Guide: £0.41

Zombies might not be the hot stuff they once were, but they are clearly still of interest.

Steampunk Soldiers: £0.27

I told my co-author he should register. He’s missing out!

Frostgrave: Into the Breeding Pits: £0.41

Frostgrave: The Maze of Malcor: £0.41

Wait… what? That’s never happened before. What library is loaning out Frostgrave books? (Answer – the BEST LIBRARY EVER!). Seriously though, I gave up registering my gaming books because it seemed pointless. Looks like I might be short-changing myself!

Possibly my favourite of the Frostgrave covers by the Burmaks!


Wednesday, 28 February 2024

Genestealer Cultists Investigate an Unholy Shrine


A few of my genestealer cultists investigate an unholy shrine. This might be just the variety of evil they are looking for!

I took this snap because these things were hanging around my desk. I think I've shown all, or at least most, of them before. The little shrine remains one of my all-time favourite terrain scratch builds. It was simple, easy, and looks terrific without being a huge pain to store! I've got one more genestealer hybrid to paint to complete the dozen I set out to complete for Space Hulk.

Tuesday, 27 February 2024

Why I Joined Patreon & What it Means for this Blog

Artwork by Barrett Stanley
Writing and games are my passion. I love getting to my desk each morning and sinking into fantasy worlds of my own creation. I love the word-craft of writing stories and filling bestiaries with strange monsters. I delight in the mathematics and probability of rulemaking, of working with dice, of manipulating the flow of stories through randomization. I am driven to create games that give people a reason to gather around a table: to laugh, to play, to create their own stories. This is my work. I feel a calling to do it. One of my main goals at this point in life is to ensure that I can keep doing it. Unfortunately, having ‘work’ to do is not always the same as having a job that earns money.

I’ve considered setting up a Patreon for a couple of years, but every time I seriously thought about it, I decided, ‘I don’t really need it’. My games, published by Osprey Games and Modiphius, have sold well, and my publishers and my fans generally seem eager for more. I’ve even done some self-publishing to help fill in the cracks when other work was scarce. All and all, I’ve been incredibly fortunate to earn a decent living while working so intently on projects I love.

But while I’ve been able to support my family for a few years now, it has never been a steady road. Some months I earn next to nothing, others I land a big score. I live in hope that it averages out. I have no employment safety net, I don’t earn a pension, and I don’t get paid time off. That’s just the price of being my own boss, and I’ve accepted that. However, my industry is rapidly changing. New technologies and changing societal norms are mutating the traditional relationship between creators and publishers. Contracts that made sense when they were signed have become out-dated, obsolete, or sometimes non-sensical. While I work to maintain good relations with my publishers, and honestly hope to continue working with them for decades to come, no one can truly say what the industry will look like in three, five, or ten years. Will there be any publishers? Or at least more than one? And if there are, will they still employ independent creators? How can independent creators hope to retain a stake in their own creations while still getting them out to the people who would enjoy them?

Now, more than ever, it is necessary for creators to interact directly with the fans of their work. So, while the money and the idea of a bit of ‘steady income’ that comes with Patreon is certainly appealing to me in the present, I have really joined in the hopes of better securing a future for my work. To have a place I can always go to write, to create, and to share with people whose passion for fantasy adventure games burns as brightly as my own. A place where my work can be supported even if all other avenues dry up. Additionally, I want a place where I can enjoy the full freedom to write and publish whatever, whenever, I want, without reliance on anyone else. The business world loves to capture and dominate niches, as it has proven a good way to generate income, but people and artists don’t work like that. We thrive when we are free to explore, to take chances and risks, and to push the boundaries of our life and work. I am hopeful that Patreon will give me a safe space for my own explorations into areas and artwork for which publishers have no use. I need to keep exploring and trying new things, artistically and economically, both to survive financially and to ensure I don’t stagnate. I’ve got to keep pushing myself as well as my work.

I haven’t joined Patreon to massively change what I do. My greatest joy still comes from creating fantasy adventure games that are turned into glorious game books! I am just hopeful that Patreon is another tool that will allow me to continue to do that, while also growing as an artist and creator. If you’d like to support me in those endeavours, you can do so here.

What Does it Mean for this Blog?

I set up The Renaissance Troll to be my personal hobby blog, to show off the miniatures I have painted, talk about the games I have played, and to share quick thoughts about anything else that struck my fancy. Over the years, my work has crept into that, but that has always been its secondary function. I still intend to carry on with this blog, showing off minis and talking about games. Occasionally, I will mention Patreon, and maybe even share a piece or two from it, but it won't alter the basic structure of this blog.

Monday, 26 February 2024

The Hobbit Puzzle


I made an interesting find in the local used bookstore over the weekend. It's a 1,000 piece puzzle based on The Hobbit with artwork by Peter Pracownik made in the UK for Express Gifts Ltd. The image is copyright 1999, which I suspect is near the printing date as well.

Now, I'll be honest, its far from my favourite piece of Middle-earth artwork. The whole work is a little cartoonish for my tastes. Bilbo is only recognizable as a hobbit by his bare feet, and looks much more human or even elvish. That said, these days it is rare to see a completely original take on any of Tolkien's works, so I do find it refreshing. I really like the letters in the 'Hobbit', which are extremely organic and even sprouting mushrooms. I also like the arrangement of the piece, with its frames within frames, and how many different pieces of the story it manages to work in. 

We'll see how I feel about it once I've got it assembled. I'm not expert puzzler however, and it's a lot of pieces, so it could be awhile. Also, since it came from a used store, I just hope all the pieces are there!

Thursday, 22 February 2024

Ogre: Test Run


My ebay copy of Ogre: Sixth Edition arrived, and I gave it quick test run. I replaced the cardboard Ogre Mk III with my metal mini and the command post with a little piece of terrain from Brigade Models. I played the most basic scenario and even used the suggested set-up. 

The game really is smooth and quick. I wish it used a die other than the d6, but that's my only real complaint. Math that at first seems daunting really isn't. It is apparent that the side not playing the Ogre has a lot more to think about, which actually makes it a good game to introduce new players, as the Ogre side is much easier. 


My Ogre finally ground to a halt a mere four hexes from the command post. The enemy still had 2 GEVs, 1 heavy tank, and a howitzer left. It's that howitzer that really caused the most problems. 

I still want to replace the counters with miniatures. That actually make the game slightly harder, as the minis won't have stats on them. That said, the game has so few units, I don't think it will take long to memorize them all, and a quick cheat sheet is all that should be necessary before then.

Wednesday, 21 February 2024

Games from the Grave - My Patreon, Launching Today!

Today I am launching my Patreon, Games from the Grave!  I'll explain my reasoning in a future post, but for now, I'm celebrating by sharing some free-to-everyone posts, including:

There are also a couple of pieces already in the paid membership section:
  • Lair of the Dark Goat - A solo scenario for The Silver Bayonet.
  • The Renaissance Troll (Part 2) - The next part of my gaming autobiography, which tells the story of the first great gaming store to influence my life and an examination of my first role-playing love: Middle-Earth Role-Playing (MERP)!
Going forward, I plan to share at least three works every month, which could include:

 ·       Draft work of new games, with discussions about my design decisions. 
 ·       Essays on game design, the industry, and the hobby. 
 ·       New material for my games, such as a scenarios, monsters, and treasure. 
 ·       Chapters from my gaming autobiography. 
 ·       Reviews of games and associated media. 
 ·       Other types of writing such as fiction and travel writing. 

Most of this will be new writing, though some will be older works that are now out of print and hard to find. Some of it will be used in future publishing projects, but a lot will remain exclusive to Patreon. Whatever its origins or ultimate fate, I hope each work will be a little bit of gamer fun to brighten your day!

Tuesday, 13 February 2024

Ogre: Mark V


I had so much fun with the first two, I decided to go ahead and repaint the last of my metal Ogre cybertanks - a dreaded Mark V. As you can see, the figure is quite a beast, and when cast in lead, has a serious heft to it! I nicknamed him 'Thunderbolt', because I had a couple of the hand holding a thunderbolt decals that I thought would look cool on him. 

Disaster struck after I finished painting and went to varnish the figure. I do this by using blue tack to stick figures to cardboard and then take them outside to spray. Unfortunately, while tacking the tank down, I pushed on its one week point, right on the centre of the back where the two halves meet. And, unsurprisingly, it broke in half. Now luckily, it was a clean break, so all I need to do was glue it back together, and I had a new bottle of superglue gel to use... At least, I thought it was gel until I gave it a squeeze and sprayed superglue all over the place. This could have been a lot worse as most of it went on the tank itself and the newspaper underneath and not on my hand! So, check those labels carefully!

Eventually, I got him back together and sprayed. He's now ready to lead my cybertank forces!